The psychology of the protagonist is expressed beautifully. We are made to understand a textured concoction of personal thought whilst asked to engage in the emotional melee between flaws, weakness, trust, hope and love.
download the pdf or have a read below:
A New Leaf
Saturday Evening Post (4 July 1931)
It was the first day warm enough to eat outdoors in the Bois de Boulogne, while chestnut blossoms slanted down across the tables and dropped impudently into the butter and the wine. Julia Ross ate a few with her bread and listened to the big goldfish rippling in the pool and the sparrows whirring about an abandoned table. You could see everybody again — the waiters with their professional faces, the watchful Frenchwomen all heels and eyes, Phil Hoffman opposite her with his heart balanced on his fork, and the extraordinarily handsome man just coming out on the terrace.
— the purple noon’s transparent might.
The breath of the moist air is light
Around each unexpanded bud — (more…)
A rough version of a current project that I started working on in Ramin Bahrani’s directing class at CU last semester.
Sound issues and general problems. The music is rough, but you get the idea.
sequence shot exercise. tried a comedy… of sorts.
two crew including myself, four cast.
what was I thinking? I don’t know.
This is what happens Larry, when I can’t think of what to write the night before the shoot.
Also on YouTube for those who struggle with Vimeo.
a rough cut…
I need a week or two away from this film before I can finish it.
suggestions are welcome.
http://www.vimeo.com/6694572
Some raw frames from a short that is still being edited.
Shot on the 18th-21st of June 2009 using the Sony EX-1.
quality.
Kostas showed this to me.
This scene is going to be damn different in the actual short.
Also on YouTube because Vimeo seems to stall on certain computers.