The psychology of the protagonist is expressed beautifully. We are made to understand a textured concoction of personal thought whilst asked to engage in the emotional melee between flaws, weakness, trust, hope and love.
download the pdf or have a read below:
A New Leaf
Saturday Evening Post (4 July 1931)
It was the first day warm enough to eat outdoors in the Bois de Boulogne, while chestnut blossoms slanted down across the tables and dropped impudently into the butter and the wine. Julia Ross ate a few with her bread and listened to the big goldfish rippling in the pool and the sparrows whirring about an abandoned table. You could see everybody again — the waiters with their professional faces, the watchful Frenchwomen all heels and eyes, Phil Hoffman opposite her with his heart balanced on his fork, and the extraordinarily handsome man just coming out on the terrace.
— the purple noon’s transparent might.
The breath of the moist air is light
Around each unexpanded bud — (more…)
sequence shot exercise. tried a comedy… of sorts.
two crew including myself, four cast.
what was I thinking? I don’t know.
This is what happens Larry, when I can’t think of what to write the night before the shoot.
Also on YouTube for those who struggle with Vimeo.
quality.
Kostas showed this to me.
A scene from All The Real Girls by David Gordon Green. Tried to direct it differently.
Also on YouTube because Vimeo seems to stall on certain computers.
somehow it was me behind the camera… why? Randomly found on this on youtube.
